The best in their field
Selected by the respective Festival Chair, these individuals evaluate, encourage, enhance and broaden the musicality of each group and every individual participating in the national festival. These people are the foremost in their fields, and represent the highest standards of their profession, be it in a classroom setting or on a performance stage.
Stephen frequently appears as soloist with many concertos in the standard repertoire as well as concertos written especially for him by Canadian composers such as Kelly-Marie Murphy (Blood Upon the Body, Ice Upon the Soul, 2006 premiere with Kitchener-Waterloo Symphony) and Glenn Buhr (Violin Concerto, 2000 premiere with Kitchener-Waterloo Symphony). Stephen is a founding member of Trio Laurier, formed in 2007 with cellist Paul Pulford and pianist Leslie De’Ath, and is a regular participant in diverse chamber groups and festival events nationally and internationally with many of Canada’s finest musicians. He is also a frequent performer with Toronto’s acclaimed the Art of Time Ensemble and Soundstreams, with which Stephen completed a tour in May 2012 to Taiwan and China, performing works by Tan Dun and R. Murray Schafer.
As an arranger, Stephen has arranged music for the Emperor Quartet (over 20 arrangements of show tunes and popular songs), Quartetto Gelato (Octosca) and the Kitchener-Waterloo Symphony (Canadian and Italian national anthems).
Stephen was just awarded the Queen’s Jubilee Medal, a nomination submitted by the National Yourth Orchestra, where he is a faculty member. Stephen is also on the faculty of Wilfrid Laurier University in Waterloo, Toronto’s Glenn Gould School of the Royal Conservatory of Music, and is a frequent mentor for Hamilton’s National Academy Orchestra. He has taught at the Banff Centre for the Arts, was an instructor at the University of Manitoba, and has maintained an active private studio.
A native of St. John’s, NL, conductor, composer and soprano Kathleen Allan is rapidly becoming internationally respected for her compelling performances and engaging compositions. She is the Director of Choral Studies and Associate Conductor of the Symphony Orchestra at the Vancouver Academy of Music and is the Artistic Director of Canzona, Winnipeg’s professional baroque choral ensemble. In 2015, she made her Asian debut conducting Handel’s Messiah and Bach’s Christmas Oratorio in Osaka and Tokyo, Japan. She is the recipient of the 2016 Sir Ernest MacMillan Memorial Foundation Prize in Choral Conducting which accompanied her appointment as Conducting Apprentice of the National Youth Choir of Canada. She is the associate conductor of the Vancouver Bach Choir, and has held conducting positions with St. Michael’s Choir School, the Yale Glee Club, the Vancouver Bach Children’s Chorus, and in 2013, was the Conducting Fellow of the Canadian Chamber Choir. She is the founding co-artistic director of Arkora, a chamber music collective dedicated to interdisciplinary performance.
Her compositions have been commissioned, performed and recorded by ensembles throughout the Americas and Europe, and her work has been featured at two World Symposiums on Choral Music. Her “In Paradisum” is the closing track on the Canadian Chamber Choir’s JUNO-nominated recording, “Sacred Reflections of Canada.”
Also in high demand as a soprano, she has appeared as a soloist with the National Broadcast Orchestra of Canada and Berkshire Choral Festival Choir, the Vancouver Symphony Orchestra and the Vancouver Bach Choir. In addition to freelancing regularly in Canada and the United States, she has sung as a member of the Vienna-based Arnold Schoenberg Chor under conductor Nikolaus Harnoncourt, the Vancouver Chamber Choir, Skylark Vocal Ensemble in Atlanta, and the Yale Schola Cantorum. A passionate interpreter of new music, she has premiered over two dozen works for the voice. She holds a degree in composition from the University of British Columbia and a master’s degree in conducting from Yale University.A native of St. John’s, NL, conductor, composer and soprano Kathleen Allan is rapidly becoming internationally respected for her compelling performances and engaging compositions. She is the Director of Choral Studies and Associate Conductor of the Symphony Orchestra at the Vancouver Academy of Music and is the Artistic Director of Canzona, Winnipeg’s professional baroque choral ensemble. In 2015, she made her Asian debut conducting Handel’s Messiah and Bach’s Christmas Oratorio in Osaka and Tokyo, Japan. She is the recipient of the 2016 Sir Ernest MacMillan Memorial Foundation Prize in Choral Conducting which accompanied her appointment as Conducting Apprentice of the National Youth Choir of Canada. She is the associate conductor of the Vancouver Bach Choir, and has held conducting positions with St. Michael’s Choir School, the Yale Glee Club, the Vancouver Bach Children’s Chorus, and in 2013, was the Conducting Fellow of the Canadian Chamber Choir. She is the founding co-artistic director of Arkora, a chamber music collective dedicated to interdisciplinary performance.
Her compositions have been commissioned, performed and recorded by ensembles throughout the Americas and Europe, and her work has been featured at two World Symposiums on Choral Music. Her “In Paradisum” is the closing track on the Canadian Chamber Choir’s JUNO-nominated recording, “Sacred Reflections of Canada.”
Also in high demand as a soprano, she has appeared as a soloist with the National Broadcast Orchestra of Canada and Berkshire Choral Festival Choir, the Vancouver Symphony Orchestra and the Vancouver Bach Choir. In addition to freelancing regularly in Canada and the United States, she has sung as a member of the Vienna-based Arnold Schoenberg Chor under conductor Nikolaus Harnoncourt, the Vancouver Chamber Choir, Skylark Vocal Ensemble in Atlanta, and the Yale Schola Cantorum. A passionate interpreter of new music, she has premiered over two dozen works for the voice. She holds a degree in composition from the University of British Columbia and a master’s degree in conducting from Yale University.
The International Trumpet Guild has stated that downbeat award winning trumpet player and composer, Paul Tynan’s “Creative Genius Shines”.
Paul is presently a Full Professor of music at St. Francis Xavier University where he teaches jazz trumpet, jazz history, and arranging. He also co-leads the “BiCoastal Collective”, with Grammy winning saxophonist Aaron Lington. The ensemble is dedicated to performing new jazz composition across North America. Paul has released ten recordings as a leader/co-leader on the Origin/OA2, Armored, and NohJoh labels.
Paul has also served on the faculties of San Jose State University, Chabot College, Nova Scotia Honor Jazz Program, and University of North Texas Summer Trumpet Workshop and is a past co-director of the Acadia Summer Jazz Workshop. He has performed with numerous jazz artists such as The Pacific Mambo Orchestra, Chris Poter, Michael Brecker, Randy Brecker, Jerry Bergonzi, Clark Terry, Bob Brookmeyer, Jim McNeely, Joel Frahm, and Matt Wilson.
As a jazz recording artist Paul has appeared on over sixty recordings, as a trumpet player, composer, arranger, and/or producer along side such musicians as Lynn Seaton, Marcus Wolfe, Stockton Helbing, David Braid, Aaron Lington, Joel Fountain, Bobby Selvaggio, Kenny Werner, Kenny Wheeler, Dan Haerle, Ben Street, and Jamey Haddad. His recordings as a leader have won numerous ECMA awards.
Paul received his Masters in jazz studies from University of North Texas where he was a teaching fellow in jazz improvisation, large jazz ensembles and a member of the internationally acclaimed, Grammy nominated One O’Clock Lab Band. Paul has recently received Canada Council for the Arts grants and Nova Scotia Department of Culture Grants to compose new works for chamber jazz ensemble.
Paul is an Edwards Trumpet and Flugel Horn Artist
Canadian saxophonist Mike Tremblay has more than 30 years in the music industry as a woodwind specialist, and educator.
He is an associate performance faculty member at Carleton University where he teaches saxophone, ensembles, jazz improvising, and is the co-founder and director of the annual Carleton University Jazz Camp.
Mike frequently performs with he National Arts Centre Orchestra, the Ottawa Jazz Orchestra, the Cosmos Saxophone Quartet,and many other groups around the National Capital region. Some of his performance credits include: Natalie Cole, Alanis Morrissette, Lou Rawls, Diana Ross, Aretha Franklin, Mark Ferguson, John Geggie, Dave Young and Terry Clarke.
Erica Phare-Bergh obtained her M. Mus. in Choral Conducting from McGill University. A native of Montreal, Phare-Bergh formerly conducted the Vanier College Choirs and the McGill Conservatory Choirs. In Calgary, she directed the William Aberhart High School Choirs, Westwinds Green Choir, and the Savridi Singers. She is in demand as an adjudicator, workshop leader and presenter (ChoralFest, MCA, Podium, MusicFest, BCCF) and was the guest conductor for the 10th Anniversary of the CBC-McGill Youth Gala. In 2008, she spearheaded the Montreal première of Oratorio Terezin, a large-scale work involving 270 performers at Place-des-Art. She and her husband, Rick, live in Victoria, BC. Together, they write children’s books (A Song with Every Story Series) in which Erica incorporates both original songs and classical music into children’s stories. She has numerous arrangements published with Cypress Choral Music and currently directs three Voices in Motion Choirs – multigenerational research choirs for people with Alzheimer’s, their caregivers and high school students.
Website: www.ericapharebergh.com (under construction)
In 1983 he was nominated for a GENIE Award for his original soundtrack for the movie “Les Doux Aveux “. Marois moved to British Columbia in 1988. Just recently retired, Réjean Marois taught at Capilano University for the Jazz Studies Program for thirty years. He conducted vocal ensembles, jazz ensembles and taught improvisation and instrumental/vocal arranging.
Furthermore, Réjean has been involved for the last 20 years as arranger/ conductor for the Cap Jazz Series concerts featuring renowned jazz artists from around the world. In May 2012, he received an Award for Excellence In Empowering Learning from Capilano University. Réjean is an Associate Composer to the Canadian Music Centre, a member of the Canadian League of Composers and a member of the Society Of Composers Inc. His is also on the board of directors for Vancouver Pro Musica.
His compositions and arrangements has been performed in Canada, U.S.A and in Europe; he has been in demand throughout Canada and the U.S. as a clinician, adjudicator, conductor, music advisor and arranger. His vocal adaptation of Maria Schneider’s “Winter Morning Walks “ will be soon published on www.mariaschneider.com.
For fourteen years, he was the artistic coordinator of the Jazz Singing Workshop at Domaine Forget, St. Irénée in the magnificent Charlevoix region of Québec. Born and raised in the province of Québec, he worked as a composer, arranger, trombonist, publisher, educator and performed all across North America and Europe.
Lorne Lofsky is an internationally recognized jazz guitarist. Born and raised in Toronto, he has been playing professionally for the last 42 years. He has played/toured or recorded with a who’s who of the jazz world, includingOscar Peterson, Ed Bickert, Rob McConnell, Chet Baker, Joey DeFrancesco, Pepper Adams, Ray Brown, Neils Henning Orsted Pederson,Rosemary Clooney, Kirk MacDonald, Dave Holland, and many other respected members of the international jazz community.
In addition, he has been a faculty member at York University’s Fine Arts/Music Program since 1978 and also teaches at the Humber College Community Music Program. Lorne is a mainstay of the Toronto jazz scene and performs extensively in the Greater Toronto Area. He has also given clinics/concerts at St. FX University in Antigonish, Nova Scotia and McGill University in Montreal.
Steve Haines is an active double bass player who has played extensively with Chad Eby, Wycliffe Gordon, Joel Frahm, Ralph Bowen, Joe Chambers, Joey Calderazzo and Fred Wesley; and has recorded with Jason & Branford Marsalis, Peter Bernstein, and Jimmy Cobb, among others. His recent March 29 release Steve Haines and the Third Floor Orchestra: Becca Stevens, Chad Eby, and Joey Calderazzo features his compositions and arrangements in the singer-songerwriter genre for symphony orchestra which is available online. He teaches at the Miles Davis Program in Jazz Studies at the University of North Carolina at Greensboro, and is very grateful for the performing opportunities and clinics he received at MusicFest during his years as a student at J.S. Woodworth S.S. in Ottawa.
Frank Gnandt has been apart of the music world for many years as a professional music, vocal and keyboard instructor, and choral director. In the choral realm he has conducted groups in both traditional choral and jazz styles. His groups have been apart of a myriad of choral festivals and conferences performing for such prestigious venues as the Vatican, Carnegie Hall, and the Sapporro Concert Hall. His choral groups have toured across North America and to Europe and Japan with the focus of sharing the joy of excellent choral music. He has been the recipient of the Excellence In Teaching Award from the Alberta Government and the Mathieson Trophy for Most Outstanding High School Choral Group in Canada! His groups have been requested as guest performers for such events as the Candian Rocky Mountain Music Festival, Musicfest Canada, Association of Canadian Choral Conductors and the International Association of Jazz Educators.
Frank is past Director of the Lethbridge Collegiate Institute and Chinook High School Chamber and Jazz Choirs. He is presently director of Caritas Chamber Choir and continues instruction in classical and jazz voice and piano in his private studio. He is frequently requested as choral evaluator and workshop facilitator. He is the past Chairman of the Choral Division of Musicfest Canada, and a past member of the Alberta Choral Federation.
Philip Hornsey is a graduate of McGill University where he studied with Pierre Béluse and D’Arcy Gray and the University of Montreal where he studied with Julien Grégoire and Robert Leroux. He has also benefited from studies with Louis Charbonneau, David Kent, Alexander Lepak, Michel Udow and Fujimoto Yoshikazu. In Montreal he plays with a variety of ensembles, including the SMCQ, Bradyworks, and the Sixtrum percussion ensemble. As a freelancer he has worked with the Orchestre Métropolitain, I Musici de Montréal and the Nouvel Ensemble Moderne, among others. His musical adventures have taken him across Canada, the United States, Asia and Europe. He has participated in numerous recordings for the National Film Board, the Canadian Broadcasting Company as well as many commercial projects. He has worked in dance with Van Grimde Corps Secrets and Système D and in theatre with Marcelle Hudon.
Mark Ferguson is an Ottawa based pianist, trombonist, composer, arranger, producer, and music educator.
He has performed with many of the world’s great artists including Ella Fitzgerald, Tony Bennett, Gil Evans, Nelson Riddle, Dionne Warwick, Natalie Cole, Tom Jones, Engelbert Humperdink, Rosemary Clooney, Carol Channing, Rob McConnell & the Boss Brass, Holly Cole, Manteca, The Funk Brothers and the National Arts Centre Orchestra.
As a composer, his credits include the CBC television series Life & Times, Cottage Country, and On the Road Again. Mark has written a film score entitled Transformation for the Canadian Museum of Civilization and created the music for Corel’s video editing software Lumiere. His original compositions are featured in Treehouse Television’s series Toy Castle, advertising jingles for radio and T.V. and in the recordings of various artists.
Mark has written musical arrangements for a wide range of groups including the National Arts Centre Orchestra, the RCMP Band, the Central Band of the Canadian Armed Forces, the HMCS Stadacona Band, the Winnipeg and Edmonton Armed Forces Bands, and his own Latin-jazz ensemble Los Gringos.
Mark is a professor at Carleton University’s department of music and directs the Carleton Jazz Ensemble. He has served as a jazz clinician at high schools and universities across Canada.
Dr. Nicole Strum
A multifaceted performer and educator, Dr. Nicole Strum holds a performance diploma in saxophone from the Bordeaux Conservatory and a DMA from the University of North Carolina, Greensboro. She is an active soloist and collaborative musician, partnering with flautist Liesel Deppe as Feldsperling Duo, with whom she has commissioned new works, and with saxophonist Tristan de Borba, with whom she will be touring this spring.
In the realm of education, Nicole is director of the University of Prince Edward Island Summer Studios, a week-long chamber music workshop for advanced high school wind players. She has worked with high school bands for over ten years: as concert band director and Chief Music Instructor at the Cold Lake Air Cadet Summer Training Centre in Alberta for seven summers, and more recently as a teacher for the PEI Public Schools Branch.
Recent post-secondary teaching includes visiting faculty positions at UBC, UPEI, and Mount Allison University. A specialist in contemporary music and a saxophone pedagogue, Nicole will be on faculty at the prestigious Lunenburg Academy of Music Performance this summer for the 2019 Composition Academy as well as the inaugural Saxophone Academy.
Performer, conductor and educator are some of the roles Terry Porter has fulfilled during a forty-year musical career. As a freelance clarinettist, his performance credits include the Vancouver Symphony, Ottawa Symphony, Royal Winnipeg Ballet and Mel Torme Orchestras. As a conductor, Captain Porter was Director of Music of the Governor General’s Foot Guards Band for twelve years. There he led performances for numerous Heads of State and for most members of the Royal Family. Under his direction, ensembles, both student and professional, have given performances at home and abroad, including during nine European tours. As an educator, he has helped countless young people in high school discover the joys and benefits of musical study. Terry Porter is thrilled to further contribute to music education in the role of adjudicator, here at Musicfest Nationals.
Dr. Wendy Zander McCallum
Dr. Wendy Zander McCallum is the Instrumental Music Education Specialist and director of the Symphonic Band at Brandon University where she teaches courses in music education and conducting. She has conducted junior high and high school regional, provincial and state honor bands, presented at provincial and international music conferences, and has worked as a solo and ensemble adjudicator and clinician for concert and jazz ensembles in Canada and the United States.
McCallum has worked to create professional opportunities for students and music educators in the areas of performance and music education. In August McCallum hosts Avenues: Exploring Band and Jazz Methods, an annual summer professional development workshop at Brandon University. She is Faculty Advisor for the Brandon University Student Music Educators Association (BUSMEA) and an Educational Clinician for the Conn-Selmer Division of Education.
McCallum worked as Lead Writer of the Manitoba Grade 9-12 Music Curriculum Framework, has published in Canadian Winds, and is a regular contributor to the publication and recording series Teaching Music Through Performance in Band and Teaching Music Through Performance in Beginning Band. She is former President of the Manitoba Band Association and Canadian Band Association. McCallum, active as a conductor and clinician, investigates areas related to teaching and learning, conducting, and instrumental literature as curriculum in the music classroom.
Dr. Christopher Morehouse
Dr. Christopher Morehouse is Director of Bands and Professor of Music at Southern Illinois University, where he serves as conductor of the SIU Wind Ensemble, teaches undergraduate and graduate conducting, wind literature, and instrumental methods, and administers the entire SIU Bands program. He is also the Acting Director of Graduate Studies in the School of Music.
Morehouse made his Carnegie Hall debut with the SIU Wind Ensemble at the New York Band and Orchestra Festival in March 2008 In May 2012 and May 2016, members of the SIU Wind Ensemble and Concert Choir spent three weeks in Dublin, Ireland, in residence at the Gaiety School of Acting: The National Theater School of Ireland, developing and performing an original theater concert project. Morehouse is published in nine volumes of the Teaching Music through Performance in Band series, an encyclopedia of band literature published by GIA Publications, and has contributed clinic reviews for the World Association for Symphonic Bands and Ensembles International Conferences held in Killarney, Ireland and Cincinnati, Ohio.
Morehouse received his Bachelor of Music degree in music education from Ithaca College, Master of Music degree in wind ensemble conducting from the New England Conservatory of Music, as a student of Frank Battisti, and Doctor of Musical Arts degree in conducting, wind emphasis, from the University of Cincinnati College-Conservatory of Music, as a student of Rodney Winther. He joined the School of Music faculty at Southern Illinois University in August 2005. He maintains an active schedule as guest conductor, clinician, and adjudicator in the United States, Canada, and Europe and is currently a member of the College Band Directors National Association, the World Association for Symphonic Bands and Ensembles, the National Band Association, the National Association for Music Education, and the Illinois Music Education Association.
François Dorion has been the Music Director of the Regimental Band of Les Voltigeurs de Québec since 1997 and of L’Harmonie de Charlesbourg, of which he was the founder, since 1993. He has commissioned many works by Jan Van der Roost, Bert Appermont and Philip Sparke. Mr. Dorion’s discography consists of nine albums, including many cornerstone works for Wind Ensemble, pop and jazz music and a Christmas CD. Mr. Dorion teaches music at Séminaire Saint-Francois. M. Dorion composes for his students beginner’s band pieces, and some are published by Hal Leonard. He is co-founder and co-director of the Quebec New Horizons Band.
He teaches a master’s degree in Conducting at Université Laval. François Dorion is an established teacher and conductor, and serves an adjudicator and clinician at several music festivals. Over the last few years, Mr. Dorion has conducted both symphony orchestras and string ensembles at the Québec Eucharistic Congress and the Eurochestries festival, as well as recorded François Couture’s Symphonie des lampes allumées and Yahndawa’.
A native of Québec, François Dorion studied saxophone, percussion, composition and conducting at Cegep de Sainte-Foy and Université Laval. During the last year of his Bachelor’s degree, he conducted the premiere recording of Isabelle Marcoux’s Éclats et mouvements, under the supervision of François Morel. While attending University, he worked as the Director of Music for many amateur groups. He played in L’Harmonie des Cascades de Beauport and taught music in summer camps. In 1991 he enrolled in the Canadian Armed Forces, Les Voltigeurs de Québec, as a percussionist.
His honours include the Pierre-Garon award (2002), the highest cultural distinction of the city of Charlesbourg as well as being a recipient of the Queen Elizabeth II Diamond Jubilee Medal.
Lieutenant-Colonel Fran Chilton-Mackay has recently retired from the Canadian Armed Forces having served as the Senior Staff Officer Army Bands responsible to the Commander of the Army and as the Director of Music of the Governor General’s Foot Guards Band from 2005 – 2016. Prior to this she taught instrumental music for over twenty years in London, Brampton and Ottawa, Ontario. She was the 1999 recipient of the City of Nepean Distinguished Service Award for Arts & Culture, the City of Nepean 2000 Medal, and the 2000 Ottawa-Carleton District School Board’s Director’s Citation. Her concurrent military career began in 1976 as a Reserve musician with the 7th Toronto Regiment, Royal Canadian Artillery Band in Toronto. Upon moving to Ottawa in 1986, and subsequent commissioning as an officer in 1987, she held various positions with the Canadian Forces at National Defence Headquarters. For her life time commitment to music and the advancement of musical pursuits within the Canadian Forces she was invested as an Officer in the Order of Military Merit in May 2007, and was awarded the Meritorious Service Medal in May 2010; both honours bestowed by the Governor General. Fran is a clarinettist and is currently the Director of the Centralaires Concert Band in Ottawa.
Dr. Jason Calsor
Dr. Jason Caslor was appointed Associate Director of Bands and Orchestras at Arizona State University in 2015. In addition to directing various instrumental ensembles, Caslor also mentors graduate conducting students, and teaches undergraduate and graduate conducting courses. In concert, Dr. Caslor has collaborated with, among other ensembles, the Thunder Bay Symphony Orchestra, the National Youth Band of Canada, the South Dakota All State Band, and the Alberta Wind Symphony. As a researcher and teacher, his efforts have lead to engagements in Sweden, Austria, Germany, China, and throughout North America. More information can be found at www.jasoncaslor.com.
Holding a doctorate degree in orchestra conducting since May 2015, François Bernier is currently musical director and conductor with the Université de Sherbrooke’s Symphony Orchestra (OUS – 50 musicians) – an orchestra he created some 15 years ago and is conducting since its inception – as well as the Sherbrooke Wind Ensemble (60 musicians), a wind orchestra in residence at the Université de Sherbrooke’s School of Music, that he has been conducting for the last 17 years. Under his conductorship, the Sherbrooke Wind Ensemble won the first prize repeatedly in the Open Category at the annual Quebec Festival of Wind and Symphony Orchestras, along with earning five times the prestigious Yamaha Award. The Sherbrooke Wind Ensemble is currently considered as one the leading wind orchestras in the Province of Quebec. Member of the teaching staff at the Université de Sherbrooke School of Music, François Bernier has been the initiator of the annual OUS Concerto Contest. Since September 2015, he is the musical director and conductor of the Victoriaville Wind Ensemble (Victoriaville, Quebec).
At the beginning of his career, François Bernier was very active with youth orchestras and wind orchestras in the province of Quebec. He was the musical director and conductor of the Joliette (2001-2006), Sherbrooke (2001-2006) and Shawinigan (2002-2003) Youth Symphony Orchestras, as well as guest conductor during four summer seasons (2003-2006) at the Lanaudière Musical Camp and, during eleven summer seasons (2003-2006, 2012-2018), at the Asbestos Musical Camp.
During the few last seasons, he also had the opportunity to be at the podium with the Sherbrooke Film Music Orchestra (now called The Seventh Art orchestra). In April 2018, He was at the podium as guest conductor of the Longueuil Symphony Orchestra.
Frequently invited as member of adjudicators or clinicians, he also acted as guest conductors for different organizations or as rehearsal coach for many orchestras or bands. He also conducted many concerts as guest conductor with the Sherbrooke Symphonic Choir.
Dan Horner is the conductor of the Toronto Youth Symphonic Winds (part of the TYWO organization) and a music teacher at Vaughan Secondary School. He began his education as a student in Scarborough where he studied trumpet with trumpet player and composer Vince Gassi. Later, while studying at Queen’s University he worked as a research assistant, was the assistant conductor of the Queen’s Symphony Orchestra, and was part time performer with the Kingston Symphony Orchestra. After graduating, Dan spent a number of years teaching at the elementary level, and then began a 16 year run as the head of music at Bayview Secondary School where he lead of a department of 500 and conducted 7 ensembles. While at Bayview, he co-founded the York Music Camp, which is now in its 15th year.
Dan’s work with the TYWO organization has involved collaborations with composers such as Brian Balmages, Samuel Hazo, John Mackey, Frank Tichelli and others. He has also had to privilege of working with Jens Lindemann, Peter Stoll, TorQ, The Shuffle Demons, Cadence, and the Canadian Brass. As an adjudicator, he has enjoyed working with the Music Alive Festival as well as the Golden Horseshoe Music Festival. He has also been a guest lecturer with Ontario Institute for Studies in Education .
When not involved with music, Dan spends his time as the assistant director at SHAD-Carleton as well as practicing golf and learning Korean which gives him a legit excuse to watch K-dramas and listen to K-pop.
Moeen Hosain has been involved in the many facets of the music industry and music education for over 20 years. He is a sought after as a Wind Ensemble and Jazz Ensemble clinician in Quebec. The Bands he has worked with have gone on to become awarding winning ensembles at Musicfest Canada and Festival Des Harmonies de Sherbrooke.
Also in the Drum and Bugle Community, he has been a Music and Brass Coordinator since 1995 working with a great number of corps in the US and Canada (3rd Regiment-Ste-Eustache 1995-98 (Winner of the Spirit of Disney Award), Syracuse Brigadiers, Syracuse New York 1998-99 (Winner of the World Championship 1999) to and presently he is working the Diplomates de Quebec.
He has also worked in for the Canadian Armed Forces as a Brass Instructor at CFB Borden, Ontario (1991-92).
Presently Moeen Hosain is on the Board of the NSMEAC (Nova Scotia Music Educators Association Conference)
Presently Moeen Hosain is the District Manager for Canada for Conn-Selmer Musical Instruments.
- Montreal QC
Dr. Karen Gustafson
Dr. Karen Gustafson is Music Instructor at Red Deer College in Red Deer, Alberta where she teaches trumpet and conducts the Symphonic Winds. She is an internationally known trumpet performer and ensemble conductor/clinician. She has performed worldwide from Italy to Malaysia to Australia and across the Americas as a trumpet soloist and with the Borealis Brass as well as with orchestras and wind ensembles. Currently she is Principal Trumpet and Guest Conductor with Opera Fairbanks (Fairbanks, Alaska.) Dr. Gustafson has conducted brass ensembles, bands, and orchestras in Asia, Australia, Europe, Canada, and USA at festivals and in workshops. In 2014 and 2015 she was an adjudicator for both bands and orchestras at MusicFest Canada, held in Vancouver and Toronto respectively, and in 2016 at the International Trumpet Guild as Solo Competition Adjudicator in Los Angeles, Adjudicator at the National Trumpet Competition (USA,) and several other music festivals in Canada and the USA.
Performance credits include performing at the International Alliance of Women in Music, with the Bach Chamber Players of St. Paul (Minnesota), the Minnesota Orchestra, Windsor Symphony, Phantom of the Opera Orchestra (Toronto), Enid Symphony (Oklahoma), Niagara Symphony, and the Shaw Festival Orchestra. Dr. Gustafson has also performed at the UNESCO World Forum on Music (Los Angeles), the International Women’s Brass Conference, the World Saxophone Congress, and the International Trumpet Guild Conference. She is heard on NPR’s ‘Intermissions’ as well as PBS and CBC Radio Canada. She has been guest soloist with several bands and orchestras in the United States and Canada and has given solo recitals in Alaska, Oklahoma, Kansas, Michigan, Minnesota, Illinois, Ontario, British Columbia, and Saskatchewan. She is heard on the Borealis Brass CD Roman Holidays (2010) and “Pacific Crossings” which will be released in 2017.
Dr. Gustafson has a Doctor of Musical Arts degree in Trumpet Performance and Wind Band Conducting from the University of Minnesota where she studied trumpet with David Baldwin and wind band conducting with Craig Kirchhoff and Jerry Luckhardt, a Master of Music degree from Northwestern University (Illinois,) a Bachelor of Music degree from the University of Victoria (B.C.) and a diploma from the Royal Conservatory of Music (Toronto) Orchestral Training Program.
Red Deer AB
Lance Ouellette is currently the Associate Concertmaster for the Kitchener-Waterloo Symphony and the Hamilton Philharmonic Orchestra. While attending the University of Toronto and Wilfrid Laurier University, Lance received the top awards at the national finals of the Federation of Canadian Music Festivals and the Canadian Music Competition.
As an educator, Lance is teaches violin for the University of Waterloo, is an orchestral coach for the KWS youth orchestra program, teaches privately, and has adjudicated across Canada for the FCMF and CMC.
Career highlights include tours of Canada, Europe, Asia, and Carnegie Hall.
Lance is an avid angler who also enjoys golfing, table tennis, and everything outdoors.
Angela Rudden received a B. Mus in Kingston Ontario and went on to complete her Masters in Viola Performance in Munich. While in Germany Angela played regularly with the Stuttgart Philharmonic, the Tibor Varga Chamber Orchestra as well as both the München and the Kölner Chamber Orchestras.
She has performed both as soloist and as chamber musician throughout Canada, the United States, Europe and Japan.
Angela is currently Principal Viola of the National Ballet of Canada Orchestra, where she often appears regularly as a soloist at the Four Seasons Centre and most recently at the National Arts Centre. She has also played in the Canadian Opera Orchestra, Les Violons du Roy, the Toronto Symphony, Esprit Orchestra and Aradia Ensemble.
Angela is a viola coach at Cardinal Carter Performance High School, as well a violin/viola teacher at Dixon Hall Music School. She has been playing and coaching chamber music in Prince Edward County at Music at Port Milford Chamber Music Camp and Festival for the past 20 some years.
A widely respected brass musician, Brian holds a master’s degree in jazz performance from the University of Toronto, and has played trumpet and flugelhorn with top domestic and international jazz artists, including the Kirk MacDonald Jazz Orchestra, Barbra Streisand, and Aretha Franklin. He is equally well known for his work with classical ensembles such as the Toronto Symphony Orchestra, the National Arts Centre Orchestra, and True North Brass. He has extensive experience as a pit musician and was a member of the Shaw Festival Orchestra from 2013 to 2016. Brian is also in demand as a clinician and adjudicator at colleges, universities, and music festivals.
Sponsored by: Humber College
Trombonist, composer and arranger Kelsley Grant received his Bachelor of Music from McGill University and completed his graduate studies at the Manhattan School of Music.
Shortly after leaving New York, he joined Maynard Fergusonʼs Big Bop Nouveau and toured the United States, Germany, Switzerland and England. Kelsley has performed with Aretha Franklin, Jackie Richardson, Frank Sinatra Jr., Michael Buble, Maria Schneider, Michel Legrand, Nicholas Payton, Sophie Milman, Ranee Lee, and Nikki Yanofsky. He toured with Forever Swing and took part in the Toronto productions of Annie, Romancing The One I Love, Ainʼt Misbehavinʼ, The Rat Pack, Kinky Boots, Matilda, and Beautiful -The Carol King Musical. He has played on several movie soundtracks including Born to Be Blue, Cirque de Soleil – Alegria, and Les Triplettes de Belleville. Kelsley has been twice nominated for trombonist of the year by the National Jazz Awards. The Jefferson-Grant Quintet won an Opus Award for their first recording and was nominated as Acoustic Ensemble of the Year by the National Jazz Awards.
Kelsley has served as a faculty member at McGill University, University of Montreal, and University of Toronto. He has given master classes and clinics at universities across Canada and is currently a full-time faculty member at Humber College.
Sponsored by Humber College
Drummer-composer Ernesto Cervini is making a name for himself as a consummate bandleader and in-demand collaborator, praised for his deep musicality and infectious energy. Downbeat described his fluid style as one that “exemplifies ‘float like a butterfly, sting like a bee’.” Modern Drummer said: “Cervini recalls such old-schoolers as Art Blakey and Billy Higgins… It’s his robust, magnetic personality that fascinates consistently.” After releasing three quartet discs, Cervini made his latest venture a sextet album, with Turboprop released by Anzic Records in 2014. The Ottawa Citizen said: “With his fourth disc, Cervini has strikingly raised his game… With its fetching writing for horns, palpable sense of team spirit, highly focused solos and varied emotional depths, Turboprop is full of jazz pleasures.” He is also a member of Myriad3, alongside keyboardist Chris Donnelly and bassist Dan Fortin. JazzTimes called the collaborative trio “Canada’s answer to groups such as The Bad Plus and E.S.T, bearing a similar open-minded perspective and unpredictability.” Myriad3’s second album, The Where, was nominated for a Juno Award (Canada’s Grammy); and the band was also nominated for an Indie Music Award (presented by Sirius/XM Radio) for 2014 Jazz Group of the Year in Canada.
Sponsored by: Ludwig
Dr. Brainerd Blyden-Taylor
Brainerd Blyden-Taylor is the Founder, Artistic Director and conductor of The Nathaniel Dett Chorale, Canada’s first professional chamber choir dedicated to the creation and performance of Afrocentric music of all styles. Born in Trinidad & Tobago, Mr. Blyden-Taylor immigrated to Canada in 1973. He founded The Chorale in 1998, in response to a musical void in Canada; there had never before been a professional ensemble dedicated to the dissemination of Afrocentric choral music. The response that The Chorale has received in Canada and the United States since its inception has certainly given credence to Mr. Blyden-Taylor’s vision.
Mr. Blyden-Taylor has conducted several university, youth and concert choirs, most notably completing a 25year tenure with The Orpheus Choir of Toronto. In addition he works frequently as a guest conductor, having appeared with organizations such as the Toronto Symphony Orchestra, Symphony Nova Scotia, Hannaford Street Silver Band, Nova Scotia Youth Choir, Ontario Youth Choir, Central Manitoba Youth Choir and the New Brunswick Choral Federation Youth Sing. He has also worked as artistic director and advisor for the Algoma Festival Choir, the Nova Scotia Mass Choir and the Chatham-Kent Roots Festival.
Mr. Blyden-Taylor has served as a member of the teaching staff of the Faculty of Music, University of Toronto and the Faculty of Music, Queen’s University. He is a Master Teacher with the Toronto Board of Education, coaching teachers and students in conducting and choral technique, and was awarded an honourary Doctor of Laws degree from York University in Toronto for his contribution to education.
Mr. Blyden-Taylor is also in constant demand as a Clinician, Adjudicator and Lecturer both nationally and internationally, working extensively across Canada and the United States of America, as well as in Cuba and France. He has also been invited to deliver workshops in Japan, Turkey and Israel. In addition Mr. Blyden-Taylor is an active church musician, serving currently as Director of Music at All Saints Kingsway Anglican Church.
Dr. Hilary Apfelstadt
Dr. Hilary Apfelstadt is Director of Choral Activities and Professor of Conducting at the University of Toronto where she was named the inaugural Faculty Teaching Excellence Award winner in 2013. She holds the Elmer Iseler Chair in Conducting. She is also Artistic Director of Exultate Chamber Singers, a semi-professional ensemble in Toronto. Raised in Nova Scotia, she earned degrees from the University of Toronto, the University of Illinois, and the University of Wisconsin-Madison. She holds an ARCT in piano performance. She has conducted choirs at divisional and national conferences of the American Choral Directors Association (ACDA), and conducted the University of Toronto MacMillan Singers at Podium, the national conference of Choral Canada. She has led choral festivals in Europe, and at Carnegie Hall and Lincoln Center in New York. In 2009, she conducted the Mormon Tabernacle Choir in a live broadcast of “Music and the Spoken Word.” She has directed all-state choruses in more than 35 states and conducted both the 2011 Ontario Youth Choir and the 2014 National Youth Choir of Canada. A frequent conference presenter, she often does conducting masterclasses and has participated in several university conducting residencies.
Dr. Apfelstadt is a prolific author, having published multiple articles in professional journals, as well as chapters in two books: Wisdom, Wit and Will: Women Choral Conductors on their Art (GIA, 2009) and Conducting Women’s Choirs: Strategies for Success (GIA, 2012). She is a contributing author to Teaching Music in Performance Through Choir, volume 4 (GIA, 2017) and is co-editing volume 5 (to be published in 2019). A member of the Editorial Board for the ACDA Choral Journal, she also write s a regular choral column for The Canadian Music Educator. Her book on Canadian composer Ruth Watson Henderson, entitled I Didn’t Want It to be Boring, was released by Prism Publishers in the fall of 2017.
Dr. Tony Leong
Dr. Tony Nam-Hai Leong completed his PhD at the University of Toronto in addition to a Master’s degree in Computer Applications and a Bachelor of Music degree at the University of Toronto. Dr. Leong studied with Paul Meyer on Violin, Rivka Golani, Daniel Blackman and Rennie Regehr on Viola while studying both orchestral and choral conducting with Professors Dwight Bennett and Lori-Anne Dolloff. He has also participated in master classes and chamber music coaching with such eminent musicians as the Orford String Quartet, the St. Lawrence Quartet, Lorand Fenyves, Simon Fryer, and Scott St. John, and has done his Suzuki violin/viola training with Margot Jewell.
Dr. Leong is currently MusicFest Canada’s Chairman of the Orchestra/Strings Division; President of the Ontario Music Educators’ Association’s board of directors and the past co-editor of their publication, “The Recorder”; co-founding director of the Ontario Strings Association; an instructor at Queen’s University; a lecturer at the University of Toronto; Head of the Performing Arts Department at Sir Oliver Mowat C.I.; and has been a past member on the Board of Directors of the Coalition for Music Education in Canada.
Dr. Leong also conducts the National Music Camp of Canada and Sir Oliver Mowat Orchestras and previously, the Music by the Lake and Oakwood C.I. Orchestras, Korean Canadian Youth Symphony Orchestra, the Royal Conservatory of Music Baroque and Chamber Orchestras and the Etobicoke Suzuki School of Music Orchestras. Dr. Leong was also a member of the Korean Canadian Symphony Orchestra as a violist for over two decades.
In addition, Dr. Leong has given presentations across Canada and the USA as a Technology and String Education clinician and adjudicator, as well as being a Clinician trainer for Finale and SmartMusic Studio. Dr. Leong’s research areas include string education, technology, and adolescents. His publications include the Canadian and Ontario Music Educators’ Association Journals, as well as presentations of his research both at the international and provincial levels. He has also guest lectured courses at the undergraduate and graduate levels at the University of Toronto, York University, and the University of Western Ontario, as well as having given presentations across Canada and the USA on the topics of string education and technology in the music classroom.
James Sparks (Jim) is adjunct professor at the UBC School of Music (conducting), lecturer in Arts Education at SFU, senior advisor for choral music for Music Mentors International, and former director of vocal music at the Langley Fine Arts School (LFAS) in Langley British Columbia. With an undergraduate degree in piano and voice (University of British Columbia), a Masters Degree in choral conducting (University of Arizona), and a PhD in philosophy (Simon Fraser University), Jim has continued his teaching in school, university, and community contexts for over three decades.
In his roles as researcher, conductor, and singing leader, Jim connects active research with music learning, music performance, and professional music leadership. With support from the Canada Council, the Canadian Music Educators Association, the AIRS collaborative initiative and Simon Fraser University, Jim has pursued collaborative singing research with several choral leaders in the world: Alina Orraca, Havana, Cuba (Schola Cantorum Coralina); Joseph Muyale Inzai, (National Boys Choir of Kenya); renowned Ukrainian choral conductor, Anatoliy Avdievski in Kiev, Ukraine (Veriovka Choir); Wes Janzen, (Kiev Symphony Orchestra and Chorus); and Helle Hoyer in Aarhus, Denmark (Aarhus Pigakor Choir). Jim is the recipient of the Profession Music Educator Award from the BC Music Educators Association, the 2009 recipient of the Willan Award from the BC Choral Federation and Simon Fraser University President’s PhD Award for 2014. Jim is in demand as an adjudicator, lecturer, and guest conductor and has continued his international research and conducting engagements in Europe, Kenya, Cuba, and Brazil.
Mary Ann Fratia earned her Bachelor of Music Education and Bachelor of Education degrees from the University of Toronto and her Masters of Music Education degree from the University of Illinois, Champaign-Urbana and studied trumpet with Ronnie Romm, Fred Mills and Stephen Chenette. She has taught instrumental and vocal music for 35 years in both Ontario and Manitoba at both the elementary and secondary levels. Mary Ann served as a former Head of Music and was the Arts and HPE Coordinator (K-12) with the Peel DSB. A recipient of various OSSTF, Peel DSB, Ontario Band Association and IAJE awards, and most recently, the Ontario Music Educators Association Honorary Life Membership Award, she was also just recently nominated for the Outstanding Undergraduate Teaching Award at York University’s Faculty of Education. Mary Ann is currently the Course Director for J/I and I/S music education at York University, Sessional Lecturer for I/S Music at OISE/University of Toronto in the Masters of Teaching program , has served as a Practicum Facilitator for pre-service education students at York University and OISE/UT (K-12) has written and currently instructs various Music ABQ and AQ courses for OISE/University of Toronto. She has also serves as an education/music consultant with TVO Kids and more recently, Kondolole Films on various elementary music/language programming as well as teaching in the Building Leadership for Change program (International Education) at OISE/UT. She has served on the Board of Directors for the Coalition for Music Education in Canada, various OMEA Conference committees and enjoys adjudicating various music festivals across the province and Canada. She has been the director of many award-winning wind ensembles, instrumental and vocal jazz ensembles, chamber ensembles and has had numerous articles published in various music, arts and teaching provincial and national journals.
Stephen Peckham first experienced excellence in instrumental music as a percussionist with his high school’s Concert and Jazz Bands. At the age of fourteen, he successfully auditioned for and performed for three straight years with the Ontario Youth Band. His overwhelming desire to teach music, inspired by his own music teacher, led him to complete a Bachelor in Music Education Degree at the University of Toronto and a Bachelor of Education Degree at Western University. Stephen recently retired from a rewarding thirty year career in Music Education at John Diefenbaker Secondary School in Hanover, Ontario. Genuine commitment and dedication to his students yielded many award winning ensembles. Stephen was also proud to be the co-ordinator of Georgian Bay MusicFest for several years. Other highlights from his teaching career include being the musical director for several full scale musicals such as Joseph and the Amazing Technicolor Dreamcoat, Les Miserables, and Grease; conducting performance tours throughout Great Britain (Westminster Abbey, the Tower of London, Coventry Cathedral, including performing for the Mayors of Brighton and Stratford Upon Avon), and Europe (including Vimy Ridge at the Canadian National Memorial); and facilitating several music enrichment days bringing elementary and secondary students together to sing and perform repertoire featuring Canadian composers. Stephen continues to support music in our schools and our communities.
Colleen Allen is one of Canada’s most in-demand musicians for live concerts and recording sessions. Based in Toronto, the acclaimed and versatile multi-instrumentalist has performed all over Canada, the U.S. and Europe with world class jazz and pop artists including Molly Johnson, David Clayton-Thomas, Holly Cole, Emilie-Claire Barlow, Rik Emmett, Marc Jordan, Andrew Craig and Jackie Richardson, to name a few. She works frequently with Brian Barlow’s Big Band, Cirque du Soleil, is a resident artist at Soulpepper Theatre, and a member of Manteca, Canada’s premier fusion jazz big band. She has been in the house band of the Toronto Blues Society’s Women’s Blues Revue since its inception in 1986. Colleen is a beloved mentor and teacher of music for 15 years now at Humber College and a regular adjudicator/clinician for musicfest, and the TD jazz education festival in Picton.
Colleen’s first CD “Colleen Allen” displays her talents as instrumentalist, arranger, bandleader and producer. Her sophomore release “Flashlight” features bassist George Koller, guitarist Rob Piltch and Snarky Puppy drummer Larnell Lewis.
Alain Cazes was principal tuba with the Paraïba State Orchestra in Brazil and professor at the Federal University of Paraïba. He has taught at the Conservatoire de Musique de Montréal and the Université de Montréal where he was in charge of Wind orchestras, brass department, teaching tuba and conducting. He adjudicates regularly at several Music Festivals and Competitions. He teaches during summer at the Orford Art Center, Domaine Forget, and the Simposio Internazionale d’Ottoni in Italy. He has been director of the Orchestre Métropolitain Choir and is curently Musical Director of the Montreal Pop Orchestra. He is also principal tuba of the Orchestre Métropolitain in Montréal under Yanick Nézet-Séguin.
He is full time Professor at McGill University, where he conducts the Wind Orchestra and teaches conducting. He has written numerous arrangements for a variety of instrumental ensembles published by GAM. He is Vice-President of CIME music.
Sommer Forrester is an Assistant Professor of Music at the University of Massachusetts Boston. As Head of Music Education, Dr. Forrester teaches instrumental methods, brass methods, conducting, sociocultural perspectives, and oversees all aspects of the Music Education program. In addition, Dr. Forrester conducts the Chamber Orchestra. Dr. Forrester frequently collaborates with scholars, educators, and performers as a way to inspire and guide her research and creative output, while serving as an example for students. Her scholarly interests include teacher education, instrumental music education, and the experiences of first-generation and minority students in music education. Her research is published in peer-review journals and she frequently presents at international, national, and regional research-to-practice conferences. Forrester serves as a peer reviewer for the American Educational Research Association, and the Music Educators Journal. In addition to her scholarly work, Dr. Forrester is an active guest conductor, clinician, and adjudicator in the United States and in Canada.
Dr. Forrester holds Doctoral and Masters degrees in Music Education from the University of Michigan, a Bachelor of Education degree from the University of Toronto, and a Bachelor of Music Education degree from Western University. During her doctoral studies, Dr. Forrester was the recipient of the Rackham Graduate School Dissertation Fellowship award. Her primary conducting teachers include Michael Haithcock and Gillian MacKay. A former classroom teacher, Dr. Forrester taught instrumental music for eight years in three different countries: Kuwait, Israel, and Canada.
Matthew Chalmers holds a Bachelor of Music Degree from Humber college, a school he attended since he was 3 as part of the Humber College’s Community Music program. Matthew also performed at MusicFest for many years and was the recipient of numerous awards and scholarships including Zildjian Outstanding Young Drummer four times, the Music Industries Association of Canada (MIAC) scholarship, as well as the inaugural Lou Williamson Scholarship for Outstanding Drumset Player. In May of 2011, The Hnatyshyn Foundation awarded Matthew with the Oscar Peterson $10,000 Grand for Jazz Performance.
For close to 40 years, Ron Di Lauro has been one of Québec’s most in-demand trumpet players: from jazz to classical, from pop to world music, Throughout his career, he has accompanied renowned artists including Dizzy Gillespie, Phil Woods, Zoot Sims, John Scofield, Aretha Franklin, Tony Bennett, Michel Legrand, Oliver Jones and Vic Vogel, to name but a few.
As a soloist, he has performed with the Orchestre symphonique de Montréal, the Orchestre Métropolitain du Grand Montréal and the Orchestre symphonique de Québec, Laval, and Sinfonia de Lanaudière. He has appeared on numerous television and radio programs, Broadway musicals, film soundtracks and in advertising jingles, as well as on over 300 recordings, most notably with Cirque du Soleil.
Music festivals and cultural organizations regularly call upon him to act as a jury member. As an Associate Professor at Université de Montréal’s Faculty of Music, and Lecturer at McGill University’s Schulich School of Music, he directs Big Band, Chamber Jazz Orchestra, as well as teaching jazz trumpet. He was the recipient of the Oscar Peterson Prize at the 2014 Montreal International Jazz Festival.
Vice Chair, Choral/Vocal Jazz
Frank Lee is the choral director at Carson Graham Secondary School. He spent the previous seventeen years as the choral and instrumental director at Seycove Secondary School in North Vancouver. Mr. Lee is has also been on Faculty at Douglas College directing the Chorus. His past ensemble was honoured with the distinction of Youth Choir of the World at the International Choral Festival, Kathaumixw, in 2007. In 2009 his Chorale was named top choir at the Canadian National Choral Festival and had their solo debut concert in 2011 at Carnegie Hall. His award winning vocal jazz ensemble, Jazz in the Box, has been featured in Western Canada and Washington State.
Frank received his undergraduate music degree from the University of Victoria studying trombone with Ian McDougall. He has recently finished his graduate studies in choral conducting, under Dr. Graeme Langager, at the University of British Columbia. He is sought after as a clinician across Canada and Washington State. Frank has served as the chair for the BCMEA Honour Vocal Jazz Ensemble, Kiwanis Vocal Jazz Festival and is currently on the Canadian Rocky Mountain Music Festival Advisory Committee.
North Vancouver, BC
Francois Dorion has been the Music Director of the Regimental Band of Les Voltigeurs de Quebec since 1997 and of L’Harmonie de Charlesbourg, of which he was the founder, since 1993. Mr. Dorion started teaching music at Seminaire Saint-Francois in 1997. He has commissioned many works by Jan Van der Roost, Bert Appermont and Philip Sparke.
Mr. Dorion’s discography consists of mime albums. including many cornerstone works for Wind Ensemble, pop and jazz music and a Christmas CD. Francois Dorion is an established teacher and conductor. He has been the conducting instructor at The Canadian Forces School of Music, regularly teaches conducting workshops, and adjudicates at music festivals.
Over the last few years, Mr. Dorion has conducted both symphony orchestras and string ensembles at the Quebec Eucharistic Congress and the Eurochestries festival, as well as recorded François Couture’s Symphonie des lampes allumees and Yahndawa.
He studied conducting with Gilles Auger in Quebec and attended several Wind Conducting Symposiums, including Otto Werner Mueller at Domaine Forget, Craig Kirchhoff at Ithaca.
Vice-Chair, Concert Band
Christine Hansen retired after 33 years as an Intermediate and High School music teacher. As head of Department at Canterbury High School in Ottawa, Christine helped initiate and administer the specialty music portion of the successful Eastern Ontario Programme of the Arts at Canterbury. After her retirement from secondary school teaching, Christine taught Intermediate and Senior Music courses in the University of Ottawa Education Faculty. She continues to guest lecture at the University, adjudicate at Music Festivals and conduct workshops and clinics with Concert Bands.
Christine, an Ottawa native, obtained her Bachelor of Music and Bachelor of Education degrees at Queen’s University in Kingston, Ontario and her Master of Music Education at State University, Potsdam, New York. She is an affiliate of member of C.M.E.A.,O.M.E.A.,C.B.D.A.,O.B.A. and Phi Beta Mu.
Currently Christine performs on French Horn with the National Capital Concert Band and the Manotick Brass Ensemble in Ottawa.
Dr. Andrew Scott
Dr. Andrew Scott’s professional work has impacted many aspects of the music industry. As a guitarist/arranger and composer, Andrew has amassed a considerable discography and gigography performing and/or recording with a diverse roster of groups and players that includes Gene DiNovi, Jim Clayton, Four80East, Jackie Richardson, Bernie Senensky, Archie Alleyne, Mike Downes and Marc Jordan. Andrew is the recipient of the, Toronto Independent Music, Canadian Urban Music, and four Canadian “Smooth” Jazz Awards. Andrew’s compositions have been heard in such films and television shows as Pretend We’re Kissing, Cubicle Warriors, Old Stock, Pop Switch, Mothers and Daughters, CBC’s The Border. As a scholar, Andrew, who earned his PhD in 2006, has lectured at universities and for conferences across North America. He has been published in the New Grove Dictionary of Jazz and many other journals. As a culmination of these diverse interests and experiences, Andrew is Acting Dean of the School of Creative and Performing Arts at Humber’s where he oversees the Music Business and Music Marketing areas and acts in the capacity of Humber Music’s Academic Advisor. Andrew, an advocate for interdisciplinary applied research and work that lies at the nexus of Music and Business, is currently serving as the Acting Director (2014/2015 academic year) for Humber College’s Bachelor of Music Degree.
Sponsored by: Humber College
- Location: Etobicoke, ON
Gordon Foote recently accepted a position at the University of Toronto as a Professor in the Jazz Studies Program of the Faculty of Music. The most important element of this portfolio will be to direct the University of Toronto Jazz Orchestra (UTJO). Previous to that, Gordon spent 26 years as a Professor in the Jazz Studies Program at the Schulich School of Music of McGill University, in Montreal, Quebec. He served as Dean (interim), Associate Dean (Academic and Student Affairs), Chair of the Department of Performance, Director of Graduate Studies and Chair of the Jazz Area, as well as 6 years as a professor at St. FX University in Nova Scotia. Gordon is one of the pioneers of jazz education in Canada, being instrumental in the development and implementation of the first undergraduate and graduate university jazz studies programs in the country.
As a saxophonist and clinician for Conn-Selmer, Gordon has performed in Canada, Europe and the United States.Professor is in demand as a conductor, clinician, adjudicator, and jazz educator/performer in Canada, Musicfest Canada being a long standing event.
Sponsored by: Conn-Selmer
Location: Toronto, Ontario
As owner of Woodshed Percussion, Andy Morris has been a freelance musician in the Toronto area for over 20 years. Because of his extensive experience in the music business, he is able to offer sound advice on choosing the right instrument for a group or individual.
Sponsored by: Woodshed Percussion
- Location: Toronto, Ontario
Stephen Wick-Musician – Ophicleide and Tuba at Anima Eterna, Director at Denis Wick Products Ltd., Teacher at The Purcell School, Trustee at Golsoncott Founda. Tuba player Stephen Wick has played with all the great London orchestras and many European orchestras. In the jazz field he has played in bands led by such greats as John Dankworth and Kenny Wheeler and has also worked with some of the top arrangers such as Nelson Riddle and Henry Mancini. Stephen also teaches at the Royal Academy of Music.
Sponsored by: Denis Wick, London
Hamworth Poole, UK
With an established reputation as one of Canada’s leading saxophonists, Kirk MacDonald cut his first record at the age of thirteen. Throughout his career, he has received numerous awards, and has worked with many leading musicians in a variety of musical genres. Kirk also leads the Kirk MacDonald Jazz Orchestra (KMJO), a 19-piece all-star ensemble dedicated to performing his original compositions and featuring arrangements by leading Canadian and U.S. Writers. The KMJO released its debut recording Deep Shadows in March 2011, and in May of 2012. His latest recording Vista Obscura was released in 2014 and features jazz legend Harold Mabern and special guest saxophonist Pat LaBarbera. Kirk has been active as an educator for 27 years at leading jazz studies programs such as at the University of Toronto and McGill University. Kirk is presently a full time professor at Humber College in Toronto, where he holds a cross appointment in the Music Degree Program and the Community Music School. Kirk also acts as the Artistic Director for the “Youth Jazz Canada” project and directs the “National Youth Jazz Combo”. This project also hosts a 2 week workshop in the summer for high school and post-secondary students.
Sponsored by: Humber College
- Location: Toronto On.
A world-renowned composer, arranger, vocalist and pianist, Greg Jasperse is the Director of Vocal Jazz at Western Michigan University. He is also the director of the award-winning Gold Company vocal jazz ensemble.
No stranger to the stage or recording studio, his credits include numerous movie soundtracks including “Jurassic World”, “Epic”, “Oz, The Great and Powerful”, “The Campaign”, “Star Trek” and “Star Trek 2” as well as the Red Hot Chili Pepper’s “Monarchy of Roses” and “The 2nd Law”, the recent release from Muse. Greg is a member of Vertical Voices and has toured as with the New York Voices. In November of 2014, he joined the New York Voices and the Bob Mintzer Big Band on their Japan tour. He has also performed with Adele, Imogen Heap, Jennifer Holiday, Joe Williams, Rosemary Clooney, Dianne Reeves and Bobby McFerrin among others.
His music is performed around the world by many of today’s premier choral ensembles including Chanticleer, the Philippine Madrigal Singers, the Los Angeles Master Chorale, Chicago Children’s Choir and the St. Olaf Choir.
His conducting credits include all-state jazz choirs in Pennsylvania, Wisconsin, Arizona, North Dakota, New York, California, Oklahoma, Indiana, Missouri, Colorado, New Hampshire, Illinois, Iowa as well as the British Columbia Honors Jazz Choir and Musicfest Canada’s Ellison Honour Choir,
He is a graduate of University of Miami and Western Michigan University.
Mike Downes is the Bass Department Head at prestigious Humber College in Toronto. Bassist, composer, author and educator Mike Downes has earned a reputation as one of Canada’s finest jazz artists. His bass playing has delighted audiences worldwide, including tours through western and eastern Europe, Iceland, Japan, South Korea, Brazil, Mexico, the United States and throughout Canada.
Mike’s extensive discography highlights his work as a bassist, composer and arranger. He has released five recordings as a leader to critical praise. His most recent recording Ripple Effect features his trio with masterful musicians Robi Botos and Ethan Ardelli. Mike has been a (guest-concert) artist, adjudicator, clinician, and educator many times at Musicfest Canada.
Sponsored by Yamaha Canada Music Ltd.
Now head of the keyboard department at Toronto’s Humber College, Dickinson is a graduate of the Humber Music Program and holds a Masters in Music (with distinction) degree from the New England Conservatory in Boston. He is the author of a respected book on ear training, entitled The Ears Have Walls (published by Advance Music of Germany). Brian Dickinson has been a fixture on the Canadian Jazz scene since the early 1980’s.he has performed and recorded with many jazz greats including Pat Labarbera, Lee Konitz, Kirk MacDonald, Kenny Wheeeler, John Abercrombie and Tom Harrell. He won a Juno Award for best jazz recording in 1991, and was also a member of the University of Toronto Faculty for twelve years.
Sponsored by: Yamaha Canada Music Ltd.
Prior to his 2001 appointment as Humber’s Director of Music, Christianson taught at McGill University, Concordia University, the University de Montreal, John Abbott College, and Centennial Academy. His jazz portfolio is no less impressive. His credits include performance and recording sessions with jazz greats J.J. Johnson, Kai Winding, Carmen McRae, Sarah Vaughn, Tony Bennett, Michel Legrand, and many others.
Sponsored by: Humber College
George Charpentier conducts the Saskatoon Concert Band and the Saskatoon Philharmonic Orchestra.
He received his Bachelor of Music and Certificate of Business Administration from the University of Saskatchewan. He holds a Diploma from the Kodaly Institute of Music Pedagogy in Hungary and a Masters Certificate in Orff Schulwerk Methodology from Jos Wuytack. He is a student of the Saito method of conducting. He has studied piano, clarinet, voice and violin. Mr. Charpentier is retired from the Greater Saskatoon Catholic Schools, where he was the Coordinator of Arts Education and Social Studies. He has taught instrumental, choral and classroom music from Kindergarten through Grade 12, and has lectured at the University of Saskatchewan and the University of Alberta. He was the Associate Conductor of the Saskatoon Youth Orchestra for many years.
- Location: Saskatchewan. SA
Chair, Concert Band
Sharon Fitzsimmins, Mus. Bac, B.Ed, is a respected educator, international adjudicator, clinician and conductor. She is past president of The Ontario Music Educators’ Association (OMEA) and was co-editor of The Recorder for 8 years, conductor at National Music Camp of Canada and examiner for The Royal Conservatory of Music. She has received numerous teaching, professional development and leadership awards. In November 2006, Sharon received the highest award from the OMEA, an Honorary Life Membership. Sharon is proud to have taught for thirty years at Barrie North Collegiate where she conducted award winning bands and choirs. She has written three teacher resources and is working on a fourth. Sharon was Chair of PRIMO 11, the OMEA annual conference.
- Location: Midhurst ON
Dr. Gillian MacKay
Denis Wick Canadian Wind Orchestra Director
Dr. Gillian MacKay holds degrees and diplomas from the University of Lethbridge, McGill University, the University of Calgary, and Northwestern University. Previously, she served as Instructor of Brass at Medicine Hat College, and Director of the School of Music at the University of Windsor. Gillian MacKay is an Associate Professor of Music of the University of Toronto, where she conducts the Wind Ensemble and teaches conducting and trumpet. She is also Associate Dean of Graduate Education. An award-winning teacher, Gillian has an active professional career as a trumpeter, conductor, adjudicator, and clinician. She has conducted honor bands throughout Canada and the United States, including the National Youth Band of Canada. Dr. MacKay has adjudicated Canadian band festivals at local, provincial, and national levels, as well as competitions in Singapore and Thailand.
- Location: Toronto On.
Vice Chair, Choral/Vocal Jazz
Scott Leithead is the founder and Artistic Director of Edmonton’s Kokopelli Choir Association and TIME Jazz Association. Scott is a very sought after clinician and director, with notable appearances including conducting the Alberta Youth Choir for the Alberta Choral Federation’s 40th Anniversary, conducting the 2013, 2015, 2016 and 2017 Ellison Canadian National Honour Choir, and adjudicating at both the ACCC National Competition for Amateur Canadian Choirs and the Kathaumixw International Choir Festival.
Scott has a passion for music from southern Africa and he has been invited to work with choirs in South Africa and Namibia on numerous occasions. In 2008, Scott was on sabbatical in Namibia where he worked with the Mascato Youth Choir and many other choirs in southern Africa. Scott is also the Vice Chairman of Choral/Vocal Division for MusicFest Canada and he is a longtime member of the advisory committee for the Canadian Rocky Mountain Music Festival.
Sponsored by: Kokopelli